GarageBand: Music the Easy Way

Versatile? Yes. Pricey? Nope.
Apple's GarageBand is a
great entry-level electronic music application. It's also a fairly
versatile loop-based sequencer with built-in effects, MIDI soft-synth
capabilities, and a mixer featuring direct-to-stereo 2 channel
recording. GarageBand costs $49 as part of the iLife '04 application
suite, which also comes free with new Macs.
Can't beat that.
As a life long music enthusiast and techno-geek who has a penchant
for doing things the hard way, I have to admit that upon first look I
scoffed at GarageBand in much the same way as I once scoffed at iMovie.
I mean, I may be a drummer, but I'm the guy who records my band's
rehersals on my PowerBook and is listening to them on my iPod the next
morning. I'm the guy who's "recorded" about 3 CD's worth of weird
electronic music and bad "Revenge of the Nerds"-esque disco music using
sophisticated programs like Reason and Live. Heck, I'm the guy whose
holy grail really seems to be an iPod that supports full 24-bit
recording via an external microphone.
In other words, I'm that nerdy, and I'm not the guy who Apple had in mind when they got
John Mayer onstage to help launch GarageBand at MacWorld earlier this
year. But I really dig what they've done, nonetheless.
Cut and Paste, Record, Mix, Cut and Paste Some More
GarageBand combines the basic elements of the Sequencer, Soft Synth,
and Recording Studio applications as described in Part I of this series and wraps them up in
Apple's trademark easy to use graphical interface. This makes the
program easy to dive into and fun to swim around in for quite some
time.
Packaged with over 1,000 "Apple Loops" of pre-recorded riffs played
in different genres and tempos on various instruments, GarageBand makes
it easy for the novice to make professional-sounding music by using
those basic computer skills honed in Microsoft Word and Safari: Cutting
and Pasting. Whether or not your "custom assembled" loop-based music
will actually be interesting to listen to is an aesthetic matter, but
Apple makes it easy to crank out polished-sounding tunes high on
production values.
Apple Loops can be stretched, shrunk, cropped, and layered to fit
whatever song lengths and tempos your muse wants you to adhere to. The
Loops Browser makes it easy to traverse all of these options by category
(instrument, mood, tempo, etc), and if you actually find you're running
out of samples to paste and layer together, Apple has been kind enough
to also bring to market the GarageBand Jam Pack, "a collection of more
than 2,000 additional Apple Loops in a variety of instruments, moods and
genres." Of course, the Jam Pack will run you an additional $99. (And
it comes with more than just loops ... read on)
Effects, Instruments, and More Effects
Apple Loops are the
easiest way to build a song, but by no means are they the most fun or
effective. Once you've got your creative juices flowing, take a risk
and leave the safe confines of cutting and pasting for the wild world of
software instruments, live recording, and effects/mixing. GarageBand
ships with about 50 software instruments, which are digitally sampled
takes on real-life sounds you can make with pianos, guitars, drums,
organs, keyboards and the like. The instruments can be played with your
mouse on a graphical keyboard, but the fun really starts when you add a
MIDI or USB keyboard controller to your setup. Now you're experiencing
the full-on virtual realm of playing a Steinway Baby Grand, Fender Jazz
Bass, or Gretsch Drumkit by way of tapping on some plastic keys.
Actually, I don't know what instruments Apple sampled to get their
source files for GarageBand, but they did a really good job. The
acoustic instruments are clearly rendered, and the electronic synth
sounds are great fun. I actually brought my PowerBook and Oxygen 8 USB
keyboard to a rehearsal and set it up for my band's singer to play while
we jammed. She particularly liked the various organ sounds available,
and they sounded pretty good routed straight from my computer's
headphone jack to the PA.
You can play software instruments by themselves or over the top of
your Apple Loops (or recorded audio, which we'll get to in a second).
You can re-record your instrument parts until you get them right, or
just fix them by hand using the track editor.
What's really cool (and this applies to any soft synth, and not just
GarageBand) is that once you've recorded a part, you can see what it
sounds like on a completely different instrument with the swipe of your
mouse. Don't like that flute part? Try it on an electric guitar,
instead? Don't like that? How about a jazz organ? Or back to the
flute again? This is why computer music making is so fun and addictive
... When you start changing all of your violin parts to hip-hop drumkit
sounds, you know you're in deep.
You can also record live audio using a built-in microphone or
external audio interface. We'll get more into external hardware later
in this series, but suffice it to say that this is where spending some
extra money on gadgets and microphones will really make a difference in
the quality of your finished recording.
GarageBand also includes some cool modelled amplifier presets for use
with an electric guitar. Plug your guitar into your PowerBook (by way
of an optional adapter) and with a click of a button you can change your
sound from vintage fuzz to 21st Century metal. That's huge. Digital
modelling will never pass for the real thing under the scrutiny of an
audiophile's ears, but imagine what a cool practice tool this is for the
aspiring musician!
Kids, convince Mom and Dad to get you an iBook for your schoolwork
and you can spend hours making your pawn shop guitar sound just like
Hendrix!
Of course, you can also apply the guitar amp settings to any recorded
music, which can make for some very interesting (read: "unintended")
applications of the effects. I wonder what my dog's barking would sound
like if I recorded it and ran it through that "British Invasion"
effect?
In addition to Apple Loops, the add-on Jam Pack also includes a hundred
or so Software Instruments, a hundred or audio effects presets, and 15
new guitar amp settings to enhance your GarageBand experience. Which
means that for 99 bucks you'll have enough toys so you'll never, ever have
to leave your room again. Ever!"
The Verdict? Listen For Yourself
I made a short song using some loops, a software instrument that I played and looped, and
a live snare drum that I recorded and looped into the mix. The snare was recorded at close
range using a cheap mic run through a Griffin iMic USB interface. I didn't spend much time
tweaking the mic placement in an attempt to get a good sound. Hence, I got a lousy sound. I'm not
saying that you can get a pro-quality recording of a live band using GarageBand, but I am saying
you can do a lot better than I did here. So I ran the snare through a guitar amp setting so it
would at least sound a little weird, if not good.
Here's what I came up with: Listen
GarageBand is great fun. It's a very inexpensive and yet very versatile tool for
creating music on your Mac. If you're serious about multi-track recording, precisely definable
synth sounds, or creating your own loops from sampled sounds, you're going to need a little
more horsepower than what's under GarageBand's roof. But as a cheap (free with a new Mac)
introduction to computer-based music, it's hard to ask for much more than what Apple's
given us. And it's rare that I'd say such a thing.
About five years ago I taught a high school course on Computers and Music. My lab was
all Macintosh (I think we'd just gotten a few rev. A iMacs, which were the cream of our crop), and
I used every freeware tool I could find to augment the school-supplied Overture notation software
I was given to teach on. Most of my students knew a lot more about music theory than I did, so
I wanted to get them started in dabbling with finding and creating their own sounds and exploring
the unique tools offered by electronic production programs.
My students turned out some great, great stuff that year. But I can only imagine what they
could have done had GarageBand been available to us then. Seriously -- this is a great combination
of power, flexibility, and usability aimed square at the beginning electronic musician. Apple,
my hat's off to you for this one
Want to add some live music to the mix? Or make your new music sound a little
sweeter? Add a digital audio interface to the mix...
* * * *
Noah Kravitz is an educator,
musician, and writer who calls Brooklyn, NY home and takes his iPod with
him everyday on the commute to work at a school in Spanish Harlem. He
is the author of the forthcoming book, Teaching and
Learning with Technology and the drummer for Automat, who can be found
rocking various clubs in the five boroughs and beyond.